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The way to Bolshoi Ballet was not easy April 2, 2012

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This leading Russian ballerina was born in 1938 in a small Northern Ossetian city of Khumalg. Svetlana Adyrkhayeva successfully fisnished Leningrad Choreographic School, which later got renamed as the Russian Ballet Academy, in 1955. Her way to Bolshoi Ballet was not easy, she danced for several years on stages of Chelyabinsk and Odessa before she was invited to Bolshoi in 1960.

This is when Svetlana got her chance to shine. She was soloist and leading ballerina until 1988. Adyrkhayeva got very complex dramatic roles and made them her own. Adyrkhayeva not only danced, she also became a russian balletmaster in 1980. She taught classical dance at Choreographic Academy until she returned back to Bolshoi Theatre where she currently works as a Balletmaster-Repetiteur.

The most famous ballet clothing August 16, 2011

Posted by egabriel in Ballet History, History Facts.
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Romantic Tutu is probably the most famous of all ballet clothing.  Specialists say that Marie Taglioni, famous ballet dancer of Romantic ballet era invented it and popularized it among European ballet dancers. This bell shaped tulle skirt is free flowing and emphasizes lightness and ethereal quality of the romantic ballets. The length varies between the knee and the ankle.

The last type of a tutu has an interesting origin. Father of American ballet and famous ballet master George Balanchine often choreographed ballets with a large assembly of dancers on stage.  This led to an unusual problem with the traditional pancake tutus – ballerinas skirts often brushed against each other.

In 1950 famous designer Karinska that costumed Ballanchine’s ballets solved this problem. She invented so-called powder puff tutu that had looser appearance than a stiff pancake tutu.  Her newly designed tutu was self supporting and did not require the wired hoop anymore.

Famous ballet school April 26, 2011

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Famous prima ballerina Olga Preobrajenska was one of the most popular dancers in Russian Imperial Ballet. She earned her title in 1900, right in the beginning of the 20th century. Her performance was famous for its improvisation and creativity, thus Olga was praized and loved by the audience and the critics.

Preobrajenska was lucky to have great teachers right when she was just started her dancing career. She was trained by world class ballet dancers like Maurice Petipa, Nicholas Legat, Christian Johansson and others whose names had already been engraved in the history of the 19th century classical ballet.

Olga was also lucky that she managed to emigrate from Bolshevik Russia in 1921 and bring her talents of a ballet dancer and teacher to the West. For the next two years she taught in Milan, London, Buenos Aires and Berlin and, finally moved to France. In Paris Preobrajenska opened her famous ballet school that was thought to be one of the best in the world.  It existed practically till the death of its owner and closed its doors in 1960.

During the life of the ballet school practically any major ballet dancer of the times visited Preobrajenska to learn her legendary ballet moves.  Among her students were Fonteyn, Baranova, Toumanova and others.  Olga did not live long after her retirement in 1960. She passed away in 1960 when she was 91years old.

Nobody could compete with his popularity January 3, 2011

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In the middle of 18th century nobody could compete with his popularity as well as with his ego.  His contemporaries claimed that not once Gaetan would say that his was one of three greatest men in Europe, comparing himself to the king of Prussia and Voltaire.

Gaetan Vestris was also lucky in marriage. He married German actress Anna Heinel and  who had a brilliant career as a opera singer of European prominence. His children followed his steps. For example, his illegitimate son Auguste Vestris was the leading dancer of French Opera for 36 years.

As the years rolled by he became the First Ballet master and was also composing ballets but, eventually retired in 1776 and died quietly in 1808. Another  great ballet master Jean Georges Noverre took his place and worked on creating famous ballet d’action.

 

Great dancer and excellent mimic December 9, 2010

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In 1729 when a boy was born in the popular theatrical family in Florence. They named him Gaetano Appolino Baldassare Vestris. Nobody in the family could even dream that one day this boy would become the most famous French male ballet dancers of the 18th century.  However, even as a teenager Gaetano Vestris showed so many talents in ballet that he got a chance to study dance at the Royal Academy in Paris.  There he shortened his Italian name to Gaetan Vestris.

His dancing debut took place when he was only some twenty years old at the famous Paris Opera.  Soon Gaetan Vestris became the favorite dancer of the French royal family and went up the career ladder even further.  He was promoted to the title of the king’s dancing master and was teaching his technique to Louis XVI.

Gaetan Vestris entered the history of ballet not only because of his excellent dancing abilities. He was also the first ballet dancer who discarded the mask that traditionally was worn by European dancers.  After he removed the mask he made another historical innovation – Vestris started using his face in mime and succeeded in it as he was not only great dancer but an excellent mimic as well.

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Amazing career of a dancer November 10, 2010

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His mentors and teachers that helped him start his amazing career of a dancer were also the best that Russian ballet could offer.  Gerdt’s first teacher was Alexander Pimenov who himself was a student of the Father of Russian ballet – Charles Didelot.  His next teacher was Jean Petipa, famous ballet dancer, father of probably the second person of importance after Didelot for Russian ballet – Marius Petipa. Old Jean in his youth underwent extensive training by the giant of the French ballet Auguste Vestris.

Paul Gerdt was quite an eccentric, nobody at the theater knew how old he was.  When asked, he would give one and the same response, claiming that he was 23 years old. He excelled not only in dancing but in teaching as well.  He left after himself the whole brilliant team of students among which there were Anna Pavlova, George Balanchine, Michel Fokin, Tamara Karsavina and Vaslav Nijinsky. It is interesting to note that Michel Fokin trained Gerdt’s daughter – great ballerina Elizaveta Gerdt. And Vaslav Nijinsky was Elizaveta’s partner in ballet dancing.

Public loved and worshiped him October 7, 2010

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If you could ask any Russian ballet fan of the 19th who is his favorite male ballet dancer, there would come up only one name – Paul Gerdt.  He spent fifty six years on the ballet stage and performed in the roles of nearly every lead male character of famous Russian ballets.  For his extraordinary ballet technique and dancing Paul Gerdt  received the mot prestigious title of the Premier Danseur  of all three significant theaters in the tsarist Russia: the Imperial Ballet, The Bolshoy Kammeny Theater and Mariinsky Theater.

Gerdt had the unusual longevity for any male ballet dancer: he was born in 1844, started performing very young and retired one year before his death in 1917.  Public loved and worshiped him. In addition, to his brilliant career and titles, audience nicknamed him Blue Cavalier.  Admiring public also awarded him with another title: the Prince of Saint Petersburg stage.  This was true enough because Paul Gerdt was the first to dance Prince Siegfried in Swan Lake, Prince Desire in Sleeping Beauty, and Prince Coqueluche in The Nutcracker.

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Aplomb on the stage September 7, 2010

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Among those who died for her was influential young Count Sheremetev. Even Russian famous playwright and diplomat Alexander Griboedov was shot through the palm during one of those dangerous competitions.

The contemporaries describe her as a medium built, well-shaped brunette.  She had black, fiery eyes veiled by long eye-lashes,  great strength in her feet, aplomb on the stage, and together with that, grace. Lightness and speed in movements; her pirouettes and her elevation were astounding.

She was on the peak of her fame when suddenly famous Didelot left the theater after a conflict with theater administration in 1829.  It all went down the hill after Father of Russian ballet left.  Many romantic leading roles were taken away from Istomina and she played older characters on stage as the years rolled by. Her salary was lowered twice and in the end she requested her retirement from ballet and it was officially given to her by the emperor Nicholai I. Her days ended in relative obscurity in 1848.

Famous treatise July 2, 2010

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Yet, his name entered the history and was saved to posterity not because he was a great dancer and Ballet Master.  And it was not because of the numerous ballets that he staged and composed – they have not been reproduced for at least two centuries. It was due to his publishing of the famous treatise Les Lettres sur La Danse et sur Les Ballets.

This treatise has been printed in almost every European language. Due to this work, Noverre’s name is one of the most quoted in the literature of dance. He criticized professional ballet dancers of his time, cumbersome costumes, and old-fashioned musical styles and choreography. He was against the use of the mask in the ballet because it hides facial expression of the ballet dancers.  He encouraged young ballet dancers to profit from their own talents rather than imitate their teachers or the style of a popular dance.

Noverre was the first to state in his treatise that ballet should stir up the audience’s emotions by the use of expressive movement.  He called this type of dance, ballet d’action. His brilliant conclusion was that ballet should unfold through dramatic movement and the movement should express the relationship between the characters.

Ballet Master Jean-Georges Noverre June 8, 2010

Posted by egabriel in Ballet History.
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International Dance Day has been celebrated on April 29  for over a quarter of the century. But not many people know that the origin of this holiday. It is the birthday of the famous ballet dancer and Ballet Master Jean-Georges Noverre.  He revolutionized classical dance by creating ballet d’action, which became the predecessor of the narrative ballets of the 19th century. His ideas had lasting impact on ballet ideology, and his theories have been implemented in dance classes today and remain a part today’s ideology of dance.

Born in 1727, Noverre debuted on stage in Fontainebleau when he was only sixteen years old.  He composed his first ballet when he was twenty.  Noverre became so famous that practically all influential European monarchs tried to get him performing at their courts.  Famous Garrick invited him to London where Jean-Georges spent almost two years. He was so wildly popular there that Garrick called him the “Shakespeare of the dance”.

In 1775, in the peak of his fame at the request of the French queen Marie Antoinette Noverre was appointed First Ballet Master of Paris Opera. Jean-Georges kept this post till the days of the French Revolution that ended his career. And not only that.  Revolution reduced this famous genius to misery and poverty. The man of Enlightenment who had so many close friends like Mozart, Voltaire and Frederick the Great, died like a pauper in Paris in 1810.

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