Study of the occult arts October 16, 2009
Posted by egabriel in History of Magic.Tags: fascination, magic, occult, practices, renaissance, ritual, sorcery, superstition
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Well, times for magic were certainly changing during Renaissance. Magic saw a resurgence in hermeticism and Neo-Platonic varieties of ceremonial magic. The Renaissance and the Industrial Revolution, on the other hand, saw the rise of science. Chemistry was substituting alchemy, astronomy was slowly dethroning the Ptolemaic theory of the universe assumed by astrology. There was the some development of the germ theory of disease, that restricted the scope of applied magic and threatened the belief systems it relied on. A nice gentleman wrote to us recently, explaining that there was seven arts of magic prohibited by canon law during the period of Renaissance: necromancy, geomancy, hydromancy, aeromancy, pyromancy, chiromancy, spatulamancy. Here we go, I named them all! I even published an article for my web analytics company, explaining in details which means what.
Both bourgeoisie and nobility in the 15th and 16th century showed great fascination with these arts, which exerted an exotic charm by their ascription to Arabic, Jewish, Gypsy and Egyptian sources. There was great uncertainty in distinguishing practices of vain superstition, blasphemous occultism, and perfectly sound scholarly knowledge or pious ritual. The intellectual and spiritual tensions erupted in the Early Modern witch craze, further reinforced by the turmoils of the Protestant Reformation, especially in Germany, England, and Scotland.
Study of the occult arts was intellectually respectable in the Renaissance, and remained so far into 17th century. At the peak of the witch trials, there was a certain danger to be associated with witchcraft or sorcery, and most learned authors take pains to clearly renounce the practice of forbidden arts. Thus, Agrippa while admitting that natural magic is the highest form of natural philosophy unambiguously rejects all forms of ceremonial magic. Indeed, the keen interest taken by intellectual circles in occult topics provided one driving force that enabled the witch hunts to endure beyond the Renaissance and into the 18th century. As the intellectual mainstream in the early 18th century ceased to believe in witchcraft, the witch trials subsided almost instantaneously.
The cult of relics September 24, 2009
Posted by egabriel in History of Magic.Tags: amulets, church, compilations, magic, medieval, miracles, miraculous, relics, rituals, saints, spells, Supernatural, tales
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I guess, it is high time I switched to magic in Middle Ages. So, where should I begin? There is so much material that I read in my web analytics company. Medieval authors, under the control of the Church, confined their magic to compilations of wonder lore and collections of spells. Many of them created quite a number of such compilations. Specifically Christianized varieties of magic were devised during this period.
In the early Middle Ages, the cult of relics as objects not only of veneration but also of supernatural power arose. Miraculous tales were told of the power of relics of the saints to work miracles, not only to heal the sick, but for purposes like swaying the outcome of a battle. The relics had become amulets, and various churches strove to purchase scarce or valuable examples, hoping to become places of pilgrimage. As in any other economic endeavor, demand gave rise to supply. Tales of the miracle-working relics of the saints were compiled later into quite popular collections like the Golden Legend of Jacobus de Voragine or the Dialogus miraculorum of Caesar of Heisterbach.
But there were other, officially proscribed varieties of Christianized magic. The demonology and angelology contained in the earliest writings assume a life surrounded by Christian implements and sacred rituals. The underlying theology in these works of Christian demonology encourages the magician to fortify himself with fasting, prayers, and sacraments, so that by using the holy names of God in the sacred languages, he could use divine power to coerce demons into appearing and serving his usually lustful or avaricious magical goals. Not surprisingly, the Church disapproved of these rites.
Simon the Magus January 11, 2009
Posted by egabriel in History of Magic.Tags: apocryphal, apostle, attitude, book, canonical, cures, exorcisms, gift, magic, magician, movement, power, practice, professional, rejection, spirit, texts
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Simon is the name of a magician mentioned in the Christian canonical book of Acts and in apocryphal texts. Simon the Magus is presented as a person deeply impressed by the apostle Peter’s cures and exorcisms. Especially, Simon was stunned by the gift of the Spirit that came from the apostles’ laying on of hands. Therefore, he believed and was baptized. But then Simon asks the apostles to sell him their special gift so that he can practice it too. This seems to represent the attitude of a professional magician.
So, for Simon, the power of this new Christian movement is a kind of magic that can be purchased – perhaps a common practice for magicians in parts of the Roman empire. The Apostles response to Simon was emphatic in its rejection. The early Christian church drew a strong line between what it practiced and the practices of magicians and magic users.
Greatest magicians of all times December 23, 2008
Posted by egabriel in History of Magic.Tags: antiquity, birth, citizens, clues, development, empire, features, life, magic, magician, magicians, miracle, opinion, origin, people, point, prophecies, religion, spells, story, texts
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I was researching the development of magic in the late antiquity period of Roman empire for my web analytics company. And that is when I stumpled upon a very interesting fact. You probably would be surprised to hear it, as I was. But in the first and second centuries CE, in the opinion of the Roman empire citizens, three men were considered greatest magicians of all times: Simon Magus, Apollonius of Tyana, … and Jesus Christ.
So, why Jesus? From pagan Roman point of view Jesus was a typical miracle-worker. He exorcised daemons, healed the sick, made prophecies and raised the dead. Time went by and Christianity grew. Eventually, it became seen as a threat to established traditions of ancient religion in the Greco-Roman. That is why Jesus was accused of being a magic user. And, naturally, this accusation later was switched on all early Christians as well.
Pagan people of Rome including scholars read into Christian texts too much looking for clues to prove that Jesus was a magician. As we know, Gospels told a life story full of features common to divinely touched figures. For example, Jesus’ divine origin, his miraculous birth, and his facing of a powerful daemon. The gospel of Matthew even mentions briefly that Jesus was taken to Egypt as an infant. Well, hostile forces among pagan Roman scholars used Gospel to explain Jesus’s knowledge of magic. According to one negative story, Jesus came back from Egypt tattooed with spells. It was also argued that Jesus was mad, which was often associated with people of great power.
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The most famous figures December 22, 2008
Posted by egabriel in History of Magic.Tags: acceptance, ancient, belief, concept, condemnation, deeds, descent, divine, famous, figures, generation, influence, magic, magicians, musician, mysteries, mythical, period, personages, singer, underworld, voice, wife
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I was always anxious to find when was the rise of positive concept of magic in ancient Greece. While doing my web analytics research, I discovered that this even, possibly took place somewhere in the sixth century b.c. Among the most famous of these figures between Homer and the Hellenistic period, are the Orpheus, Pythagoras, and Empedocles.
Orpheus is a mythical musician and singer, said to have lived in Thrace a generation before Homer. Orphic Mysteries, seems also to have been central to the personages of Pythagoras and Empedocles who lived in the sixth century b.c. Pythagoras for example is said to have described Orpheus, as, the father of melodious songs. Later Aeschylus describes him as the guy who haled all things by the rapture of his voice. This suggests belief in the influence of song and voice in magic. Orpheus is certainly associated with a great many deeds.
The most famous is his descent to the underworld to bring back his wife, Eurydice. Orpheus’ deeds are not usually condemned or spoken of negatively. This suggests that some forms of magic were more acceptable. Indeed the term applied to Orpheus to separate him from magicians of ill repute is a divine man. This fact shows, that there was a fine line between acceptance and condemnation.
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Second-class power December 22, 2008
Posted by egabriel in History of Magic.Tags: ability, beasts, changes, chapter, charms, companion, epic, future, gods, hero, instructions, knowledge, magic, motif, power, secret, shades, tradition, transform, wisdom
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Magic then is a second-class power, it does not compare to the powers of tradition or of the gods. It has to work in secret to achieve its ends. So, although Circe changes Odysseus’ companions into swine, she has no power over Odysseus himself. Magic is defeatable by other magic. And Odysseus’ magic is more acceptable because a legitimate god confers the wisdom of its use to Odysseus. However, Hermes, can’t protect Odysseus from Circe’s physical charms, and the hero does eventually succumbs to the power of the magic user.
This represents the idea that users of magic are not to be trusted because of the powers they are prepared to pursue and use. This is indicated by the fact that Circe can not only transform men into beasts but is also able to predict the future. This ability is linked in with another magical motif of the Odyssey epic, described in later chapter of the book. Following Circe’s instructions, Odysseus digs a trench, pours out an offering to the dead a drink that consists of honey, milk, wine and water, and slaughters two black sheep in such a way that their blood runs into the ditch. This attracts the shades of the dead in flocks and by drinking the blood they regain, for a short time, the ability to communicate with the living and pass on their knowledge of the future.
Horrors and powers of witchcraft November 4, 2008
Posted by egabriel in History of Magic.Tags: audience, claims, concept, constellation, controlling, cosmos, destruction, future, hating, horrors, influencing, knowledge, magic, magical, power, practices, spells, texts, version, witch, witchcraft, works
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In Seneca’s version Medea’s power of hating, which she can switch on and intensify at will is still the dominant theme, but Medea is now given a full cupboard of horrors from which to select the most efficient means of magical destruction. Her magic can even, apparently affect the cosmos, as she claims that she can force down the constellation of the Snake.
Seneca’s nephew Lucan in his work surpassed his uncle in portraying the horrors and powers of witchcraft. In his play, just before the decisive battle of Pharsalus, in which Julius Caesar defeats the forces of Pompey, the two armies are moving through Thessaly, the country of witchcraft in Lucan’s work. Here one of Pompey’s sons consults a famous witch called Erictho about the outcome of the future battle. Erictho is the most powerful of witches, and because she is so powerful she is presented as being quite loathsome and disgusting. Such are her powers that she can even compel some of the lesser gods to serve her and even cause them to shudder at her spells. As exaggerated as these plays are they demonstrate knowledge of magical practices found in the Greek magical texts. These works also shows that Roman audience must have easily understood the concept of magic in a negative sense but also in the sense of being a practice aimed at influencing or controlling the forces of the cosmos, even the gods themselves.
Jealous wives November 4, 2008
Posted by egabriel in History of Magic.Tags: belief, charm, concept, concoction, condemnation, connotations, curse, despair, dramatic, evil, examples, fearfulness, hero, jealous, love, magic, means, mythical, myths, necromancy, power, suicide, theme, tradition, treatment, view, witch, wives, writings
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However Dido soon comes to realize that the love magic is not powerful enough to bring Aeneas back to her. So she kills herself in her despair, which adds to the power to her curse. Dido had sealed and extended her curse through her suicide. Aeneas was protected by his gods and remained safe. But, according to Virgil, Dido’s use of magic and her curse lingered on leading to Rome’s near crushing defeat by Carthage many centuries later. This demonstrates quite clearly that the Romans shared the Greek’s view of magic as being dangerous and untrustworthy.
The Romans in fact went further then the Greeks in their condemnation and fearfulness that they generate around their concept of magic. Some examples of are found in the writings of Seneca, the philosopher and playwright, and his nephew, Lucan. Seneca selects some of the most gruesome Greek myths for dramatic treatment and he greatly adds to the negative connotations already applied to the theme of magic, necromancy and the like – where it is given by the mythical tradition and sometimes even where there is little negativity indicated towards magic. From dialogue between wife of the Hercules Deineira and her nurse we learn that it is quite common for jealous wives to consult a witch. It turns out, the nurse, very conveniently, is a witch herself. A great hero such as Hercules should not be able to be influenced by magical means, but in the end he is overcome by the deadly concoction that the evil magic user passes on to Hercules, through deceiving Deianira into the belief that she is giving Hercules a love charm.
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